Interview with Vinny O'Brien
Can you tell us about your previous work ?
I've worked on numerous Marvel movies, Michael Bay movies as well as recently a fun supporting role on John Woo's new movie Silent Night in theaters now.
CONVERSATION ABOUT: Ellie
What inspired you to take on the challenge of bringing "Ellie" to the screen?
I'm not religious but I'm spiritual and I believe God helped me make that choice. I wrote it in 8 hours and I knew instantly I needed to make this.
Coming from a background as a Golden Glove champion and an Alaskan commercial fisherman, how did your personal experiences influence your directorial choices in "Ellie"?
With boxing and fishing, they've both taught me a way of discipline, grit and work ethic. From the start from pre production this was a battle and I just rolled with the punches all the way through. Both of those careers are intense and I truly tried to bring a piece of that in this film. Being a Professional Stuntman is really what brought those worlds together and one of the best attributes I have from my careers. Being a Stuntman has shown me so many lessons not only in this business but in life. For the good ones in this business we have a tight knit family, those that would have your back in a second and have the grit and talent to get done what is needed. I tried bringing that essence to my set and throughout the process of this film. I had a lot of amazing individuals show up for me on this film.
Were there skills or lessons from your previous experiences that unexpectedly proved valuable in the world of storytelling through film?
Adapting with the problems and allowing that to be a part of my art instead of fighting it and thinking it was pulling away from it. Sometimes chaos is the beauty of the art.
In "Ellie," the protagonist uses games to distract his daughter from danger. Can you share more about how you approached portraying this unique dynamic between father and daughter through the use of games in the film?
I don't have any kids yet but, I tried conveying what I would do to preserve the innocence of my child while keeping her safe. I've watched from my brother to close friends and how they shield some of life's harsh views from their kids. I wanted to point out how many times parents have to show their kids everything is fine, when it actually isn't. That's the true love of a parent and I wanted to show love to the ones that pull off miracles for their kids everyday.
Can you discuss some of the artistic choices you made in terms of cinematography, color palette, or visual style in "Ellie"? How did these choices contribute to the overall atmosphere and mood of the film?
I wanted it to be very hectic in the beginning, and I wanted the audience to be immediately immersed into the world. Visually, with the shots, I aimed to convey a sense of calmness and peace in the flashbacks. Regarding the color scheme, I wanted it to be colder and match the toughness and intensity of certain scenes. I wanted it to be warmer in the moments of her running in her world as well as the flashbacks. My DP, Neil Watson, played a significant role in capturing the emotions I wanted to convey throughout this film. Once I provided some notes for my colorist, Majo Gomez, I let her bring a piece of her art to this film, and she nailed it. So many people brought a piece of their art to this film and I'm truly grateful.
Did you have a specific target audience in mind when creating "Ellie"? How do you think the film's themes and narrative resonate with a broader audience, beyond any specific demographic?
I was hoping no matter the demographic, that there would be some part of this film that they could attach themselves to. Especially with parents or anyone that has had to make a split second decision that absolutely changes the course of your life, in that very moment. I believe life is all about moments, they're not good or bad. They're moments that help shape you in this life.
"Ellie" is your debut as a director and producer. Looking back on the project, what lessons have you learned, and how do you envision your future in the world of filmmaking? Are there specific themes or genres you aspire to explore in future projects?
So many lessons, where i don't think i can type enough words lol. The main one I would say is I could help myself more in pre production. You can't prepare enough but, you also will never be perfectly "ready." So i guess there's a fine line there but, I feel with film, you're always pressed against the gun, so just enjoy the dance. As for future projects, I'm excited to blend action with an artistic perspective, It's my dream.
That was the interview with our beloved creator Vinny O’Brien. Our community is rising everyday, new talented filmakers and screenwriters get onboard. Be sure to check the rest of our interviews and why not schedule one for yourself to promote your work.
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