Behind the Lens: Abel B. Padilla’s Journey
Can you tell us about your previous work ?
I've had the privilege of working on various projects, including music videos, short films, and documentaries. One of my notable projects was working as a cinematographer for Sunset Sound's Roundtable, a podcast series featuring A-list musicians. I've also filmed live sessions for artists like Young the Giant and Magic. Also with Therapist of the Year as a director, I've had recent success, I feel blessed by receiving some nominations and awards from festivals around the world.
What inspired you to explore the themes of time and mortality in "Therapist of the Year"?
I've always been fascinated by the human experience and our relationship with time and mortality. I did not see the connection of those themes with "Therapist of the Year" until now that you bring it up.
CONVERSATION ABOUT: "Therapist of the Year"
You’ve mentioned the film is “closer to a nightmare than a dream.” How did you visually and narratively achieve that surreal, nightmarish quality?
To create the surreal atmosphere, we employed a range of techniques. We used unconventional camera angles, we basically shot everything in a 12mm lens. Green and red was our colour palette, and we designed a soundscape with different frequencies to create an uncomfortable feeling. Narratively, I feel that we subverted some traditional expectations of the therapist-patient dynamic, blurring the lines between reality and fantasy.
The film critiques a narcissistic therapist. What broader commentary are you making about therapy or human nature?
Through "Therapist of the Year," we are commenting on the emotions that an unchecked ego goes through. Dr. Saints is a really interesting character, his decisions are always made to benefit him in the long term, no matter how unreasonable they sound in the short term. Patricia is the heart of the film. She is this voice of humanity just wanting unification. I feel this short film highlights the tension between genuine self-awareness and the performative aspects of therapy.
What specific cinematographic techniques did you use to emphasize the surreal and dark comedic aspects of the film?
We used a combination of techniques. One source lighting, deliberate camera movements, and an emphasis on colors. Everything related to Dr. Saints were green and whatever was related to Patricia was red. These choices helped create a dreamlike atmosphere that underscored the film's darkly comedic tone.
What do you hope audiences will take away and what emotions or reactions do you aim to evoke through your storytelling?
I hope audiences will leave with a sense of a renewed awareness of the complexities of human nature.
What’s the funniest or most unexpected moment that happened on set during the making of Therapist of the Year?
One of the most memorable moments was when we made Anton Nassif (Dr. Saints) float back to his seat. We did it in one take. It was hilarious to see that in the frame. I remember when Anton saw what we were doing he burst out laughing.
Can you tease any upcoming projects or themes you’re excited to explore in your future works?
I'm currently working on a new project called Hopstanz, it explores the meaning of history. It will be my first work as a director in my homeland, Mexico. I'm pretty excited to explore the complexities of this theme and to continue exploring ways of storytelling in my future works.
This marks the conclusion of the interview featuring our esteemed artist, Abel B. Padilla. Our community is growing steadily, with a continuous influx of skilled filmmakers and screenwriters joining us. Explore our other interviews, and consider scheduling one for yourself to showcase your creative endeavors.