"EP is Back and It’s Darker, Funnier, and More Twisted Than Ever"

Nathan Alan Thomas returns with EP/2, a fresh and sharply sarcastic continuation of his filmmaking journey. For those familiar with the thriller genre and indie film quirks, this sequel offers a cocktail of suspense and dark humor, though its introduction might leave casual viewers scratching their heads. While filmmakers may appreciate its layered commentary, the general audience could find it a touch cryptic at first.

Blending elements of psychological horror and sharp satire, EP/2 feels like ''Saw'' meets ''The Wolf of Wall Street'' minus the massive budgets and flashy yachts. Instead, it thrives on resourcefulness and a commitment to pushing boundaries. The plot revolves around a shady film festival director who encounters a rich, eccentric and mysterious filmmaker with lethal motives. It's a cheeky nod to the absurdities of the indie film scene, wrapped in a sinister edge.

The performances are a standout, with the cast fully embracing the eccentricity of their roles as in some cases we welcome their hyper dramatization. The clever and snappy dialogue helps elevate the material, keeping the audience hooked even as the story takes some wild turns. Thomas’s writing is sharp, striking a fine balance between thriller and comedy without losing the eerie atmosphere. The sound design deserves special praise, adding an unsettling layer to the experience.

Visually, the film is a mixed bag. The neon-soaked color palette is great and adds a surreal energy to the story, but the cinematography falters in exterior shots, where the inconsistency becomes distracting. Similarly, some of the locations feel underdeveloped Pacing issues arise in the third act, with certain twists feeling more forced than earned, but the overall ride is undeniably fun.

Much like its predecessor, EP/2 carries a "music video" vibe working in tandem with the soundtrack. For a filmmaker still finding his voice, this is an impressive and entertaining effort, filled with promise for future projects.

Honestly a raw and macabre love letter to the indie film world, bursting with ambition and biting wit.