Review for "Death of Mandarin’’ by Ye Yu Can
"Death of Mandarin" by Ye Yu Can is a surreal exploration into the annals of film history, employing modern digital devices to converse with the cinematic traditions of the last century. With a nod to the legacy of films like Un Chien Andalou (1928 France), Yu Can seeks to unravel the hidden depths of human desires and their impact on social mobility.
The film ingeniously weaves together chapters from the Bible, Tarot, psychoanalysis, philosophy, poetry, and contemporary movements, creating a tapestry that delves into the struggles of those at the bottom of the societal hierarchy. "Death of Mandarin" serves as a poignant commentary on the death of spiritual freedom in a society marked by unfair competition and unattainable dreams.
Can's film is a bold artistic venture, fictionalizing a dialogue between God and a sleepwalker, which cleverly mocks the harsh realities of life. The atmosphere, framing, and cinematography contribute to the film's immersive experience, creating a world where idealism faces disillusionment under the weight of societal structures.
The director's background as a thinker and philosophy practitioner is evident in the film's depth and complexity. While "Death of Mandarin" takes risks in blending diverse elements, it might leave some viewers grappling with pacing and clarity issues. The English narration, though a commendable effort, could be a stumbling block for those seeking a seamless dive into Chinese cinema.
Despite its challenges, "Death of Mandarin" stands as an experimental and poetic triumph. It bravely tackles societal issues and encourages a positive belief in the pursuit of ultimate freedom. The film's atmospheric allure, innovative framing, and sound design contribute to an overall experience that, while not without flaws, is undeniably thought-provoking and ambitious. Ye Yu Can's film is a testament to the enduring power of cinema to challenge, provoke, and inspire.
