Review for "SLAY" by Fran St Clair
"SLAY" by Fran St Clair is a delightful rollercoaster of a Gen Z Horror Comedy that takes the challenges of living with an influencer to a whole new level. The film follows the escapades of flatmates Phoebe, Jade, and Heather as they hatch a plot to confront the trials and tribulations of cohabiting with the seemingly unstoppable Danielle.
The plot, while centered around the struggles of modern-day living and influencer culture, is cleverly written with punchy dialogues and witty one-liners that keep the audience engaged. The characters are not just relatable but also immensely likable, making it easy for viewers to invest in their misadventures. St Clair's directorial prowess shines through, demonstrating a keen attention to detail in the film's structure, locations, and props.
The film's strength lies in its modernity, seamlessly blending horror and comedy elements with a Gen Z lens. St Clair draws inspiration from classics like Heathers and Mean Girls, Jawbreaker and the more recent Bodies Bodies Bodies. The result is a film that not only pays homage to its predecessors but also carves out its own niche in the horror comedy genre.
Fran St Clair's directorial statement becomes evident as "SLAY" successfully navigates the complexities of female friendships within the context of hyperrealistic character archetypes, all while addressing prevalent issues such as social media, cancel culture, and jealousy. The film's predominantly female cast and crew, assembled under the banner of Myrtle Tree Studios, showcases the passion and talent of young creatives dedicated to storytelling.
Despite its brilliance, "SLAY" is not without its flaws. The lighting in some scenes could be improved, but this minor hiccup is easily overshadowed by the film's many strengths.
In conclusion, "SLAY" is a triumph. With its clever writing, engaging characters, and a perfect blend of horror and comedy, it leaves the audience demanding more.It's a must-see for those craving a fresh take on the horror comedy genre, leaving us optimistic and hungry for more from this promising production house.Lastly the end credits deliver a phenomenally funny finale.
