Review for ‘‘L'amour est temps de reflets’’ by Yann Richebourg

Yann Richebourg’s ''L’amour est temps de reflets'' blends poetry and cinema to depict a relationship bound for failure. The story centers on a young girl and a young man, with mirrors acting as a visual and symbolic reflection of their emotions and the cyclical nature of their doomed love.

Richebourg’s eye for visuals, honed from his background as a photographer, is evident in the film’s meticulous framing and minimalist aesthetic. The use of mirrors is a standout feature, reinforcing the themes of repetition and emotional distance. This imagery goes beyond mere decoration, becoming an integral part of the narrative and enhancing the poetic atmosphere.

The dialogue is sparse but effective, with the writing striking a delicate balance between subtlety and depth. The actors’ understated performances fit the film's stripped-back style, letting their body language and expressions speak volumes. Even the wardrobe choices—muted yet distinct—contribute to the overall visual harmony.

However, while the film’s strengths lie in its visual and metaphorical elements, certain aspects fall short. The locations, though simple, feel too bare and impersonal, lacking the atmospheric quality needed to support the film’s introspective tone.

Additionally, the sound design feels underdeveloped. The inclusion of natural sounds, like the rustling of wind or soft ambient noises, could have enriched the film's quiet moments and drawn the viewer deeper into its world.

Despite these flaws, it still manages to captivate with its thoughtful pacing and metaphorical depth. Richebourg’s approach encourages reflection, as the film subtly examines the cycles of love and longing. With more refined production design and a tighter edit, the film’s potential could be fully realized.

Given its visual complexity and slow, meditative pacing, ''L’amour est temps de reflets'' could shine as an art installation, allowing viewers to appreciate its layers in a more reflective environment. While not without its imperfections, the film is a compelling exploration of love’s fragile, repeating nature, and suggests that Richebourg is a filmmaker with an intriguing artistic future.